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Religious satire musical

The Volume of Mormon
Poster illustrates a man mid-jump, clad in a uniform common to Mormon missionaries.

Broadway promotional poster
Music Trey Parker
Robert Lopez
Matt Stone
Lyrics Trey Parker
Robert Lopez
Matt Rock
Book Trey Parker
Robert Lopez
Matt Stone
Premiere March 24, 2011: Eugene O'Neill Theatre, New York City
Productions
  • 2011 Broadway
  • 2012 First US tour
  • 2013 W Finish
  • 2013 Second US tour
  • 2019 UK tour
Awards

Listing of awards

  • Tony Honour for All-time Musical
  • Tony Award for Best Book of a Musical
  • Tony Accolade for Best Original Score
  • Grammy Award for Best Musical Theater Anthology
  • Drama Desk-bound Laurels for Outstanding Musical
  • Drama Desk Award for Outstanding Music
  • Drama Desk-bound Accolade for Outstanding Lyrics
  • Laurence Olivier Award for Best New Musical
  • Helpmann Award for Best Musical

The Book of Mormon is a musical comedy with music, lyrics, and book by Trey Parker, Robert Lopez, and Matt Stone. First staged in 2011, the play is a satirical examination of the beliefs and practices of The Church of Jesus Christ of Latter-day Saints. The musical ultimately endorses the positive ability of love and service.[1] Parker and Stone were best known for creating the animated comedy South Park; Lopez had co-written the music for the musical Avenue Q.

The Volume of Mormon follows 2 Latter-day Saints missionaries every bit they try to preach the organized religion of the Church to the inhabitants of a remote Ugandan village. The earnest young men are challenged past the lack of interest from the locals, who are distracted past more pressing issues such every bit HIV/AIDS, famine, female genital mutilation, and oppression by the local warlord.[2]

In 2003, after Parker and Rock saw Avenue Q, they joined forces with Lopez, the musical's co-author, coming together sporadically for several years. Parker and Stone grew up in Colorado, and references to the Church had been commonplace in their previous works. For research, the trio took a trip to Salt Lake City to see with current and former Mormon missionaries. Beginning in 2008, developmental workshops were staged. The show's producers, Scott Rudin and Anne Garefino, opted to open the testify straight on Broadway.

The show opened in March 2011, after nearly seven years of evolution. The Church of Jesus Christ of Latter-solar day Saints responded indifferently; however, they did purchase ad infinite in its playbill in later runs. The Volume of Mormon garnered overwhelmingly positive critical responses, and set records in ticket sales for the Eugene O'Neill Theatre. The prove was awarded ix Tony Awards, including Best Musical, and a Grammy Award for Best Musical Theater Album. The original Broadway bandage recording became the highest-charting Broadway bandage anthology in over iv decades, reaching number three on the Billboard charts. In 2013, the musical premiered in the Westward End, followed by two US national tours. A production in Melbourne and the commencement non-English version, in Stockholm, both opened in Jan 2017. Productions in Oslo and Copenhagen followed.

The Volume of Mormon has grossed over $500 1000000, making it one of the virtually successful musicals of all time.[iii] As of July 27, 2019, it is the 14th longest-running Broadway show surpassing 42nd Street.[4]

History [edit]

The Book of Mormon was conceived by Trey Parker, Matt Stone and Robert Lopez. Parker and Rock grew upwards in Colorado, and were familiar with The Church of Jesus Christ of Latter-day Saints and its members.[5] They became friends at the Academy of Colorado Bedrock and collaborated on a musical film, Cannibal! The Musical (1993), their offset experience with pic musicals.[6] In 1997, they created the Television series South Park for Comedy Central and in 1999, the musical film South Park: Bigger, Longer & Uncut.[7] The ii had commencement thought of a fictionalized Joseph Smith, religious leader and founder of the Latter Mean solar day Saint move, while working on an aborted Fox serial almost historical characters.[5] Their 1997 film, Orgazmo, and a 2003 episode of South Park, "All Most Mormons", both gave comic handling to Mormonism.[half dozen] Smith was likewise included equally ane of S Park 's "Super Best Friends", a Justice League parody team of religious figures similar Jesus and Buddha.

Development [edit]

During the summer of 2003, Parker and Rock flew to New York Urban center to discuss the script of their new film, Team America: World Police, with friend and producer Scott Rudin (who also produced South Park: Bigger, Longer & Uncut).[5] [8] Rudin advised the duo to meet the musical Avenue Q on Broadway, finding the cast of marionettes in Team America like to the puppets of Avenue Q.[eight] Parker and Stone went to see the production during that summer and the author-composers of Artery Q, Lopez and Jeff Marx, noticed them in the audition and introduced themselves. Lopez revealed that Due south Park: Bigger, Longer & Uncut was highly influential in the creation of Avenue Q.[viii] The quartet went for drinks afterwards, and soon plant that each camp wanted to write something involving Joseph Smith.[v] The four began working out details near immediately, with the idea to create a modern story formulated early on on.[v] For enquiry purposes, the quartet took a road trip to Salt Lake City where they "interviewed a bunch of missionaries—or ex-missionaries."[two] They had to piece of work around Parker and Rock's South Park schedule.[6] [9]

In 2006, Parker and Stone flew to London where they spent three weeks with Lopez, who was working on the W End production of Avenue Q. There, the three wrote "4 or five songs" and came up with the basic thought of the story. Subsequently an argument betwixt Parker and Marx, who felt he was non getting enough creative command, Marx was separated from the project.[10] For the next few years, the remaining trio met frequently to develop what they initially called The Book of Mormon: The Musical of the Church of Jesus Christ of Latter-day Saints. "There was a lot of hopping back and forth between L.A. and New York," Parker recalled.[5]

Song alterations [edit]

Numerous changes were disclosed between the original script and the concluding production. A song named "Family Home Evening", which was in early workshops of the bear witness, was cut. The warlord in Uganda was called General Kony in previews but this was changed to General Barrel Fucking Naked. The song "The Bible Is A Trilogy" went through a major rewrite to become "All-American Prophet". The before version was based effectually how the third pic in movie trilogies is ever the best one and sums upwards everything; which led to a recurring Matrix joke where a Ugandan man said "I thought the third Matrix was the worst 1" which later on changed to "I accept maggots in my scrotum" in the rewritten version.[11] The song "Spooky Mormon Hell Dream" was originally called "H-E Double Hockey Sticks".

Workshops [edit]

Lopez pushed to workshop the projection, which confused Parker and Stone, clueless about what he meant.[5] Developmental workshops were directed by Jason Moore, and starred Cheyenne Jackson.[12] Other actors in readings included Benjamin Walker and Daniel Reichard.[13] The crew embarked on the kickoff of a six workshops that would take place during the next 4 years, ranging from xxx-minute mini-performances for family and friends to much larger-scale renderings of the embryonic show. They spent hundreds of thousands of dollars of their own coin, however unconvinced they would take it any further.[v] In February 2008, a fully staged reading starred Walker and Josh Gad equally Elders Price and Cunningham, respectively.[13] Moore was originally set to direct, but left the production in June 2010.[13] Other directors, including James Lapine, were optioned to join the creative team, simply the producers recruited Casey Nicholaw.[xiii] A last five-week workshop took place in August 2010, when Nicholaw came on lath equally choreographer and co-director with Parker.[5]

Broadway premiere [edit]

Producers Scott Rudin and Anne Garefino originally planned to stage The Book of Mormon off-Broadway at the New York Theatre Workshop in summertime 2010, but opted to premiere it directly on Broadway, "[southward]ince the guys [Parker and Stone] work best when the stakes are highest."[13] Rudin and Garefino booked the Eugene O'Neill Theatre and hired key players while sets were designed and built.[5] The producers expected the production to cost $11 million, only it came in under budget at $9 million.[13] Hundreds of actors auditioned and 28 were cast. The crew did four weeks of rehearsals, with an boosted two weeks of technical rehearsals, and and then went direct into previews. The producers first watched the finished production six days before the first paying audition.[5]

Productions [edit]

Broadway (2011–) [edit]

The Book of Mormon premiered on Broadway at the Eugene O'Neill Theatre on March 24, 2011, following previews since February 24.[14] [15] The production was choreographed by Casey Nicholaw and co-directed by Nicholaw and Parker. Set blueprint was by Scott Pask, with costumes by Ann Roth, lighting by Brian MacDevitt, and sound past Brian Ronan. Orchestrations were co-created by Larry Hochman and the show'due south musical managing director and song arranger Stephen Oremus.[xvi] The production was originally headlined by Josh Gad and Andrew Rannells in the 2 leading roles.[16]

The New York production of The Volume of Mormon employed an innovative pricing strategy, like to the ones used in the airline and hotel industries. The producers charged as much as $477 for the best seats for performances with peculiarly high demand.[17] The strategy paid off handsomely. During its first year, the testify was consistently one of the top 5 acknowledged shows on Broadway and set up 22 new weekly sales records for the Eugene O'Neill Theater. For the week of Thanksgiving 2011, the average paid access was over $170 even though the highest-priced regular seat was listed at $155.[eighteen] Loftier attendance coupled with aggressive pricing allowed the financial backers to recoup their investment of $11.4 meg later just nine months of performances.[nineteen]

After Gad's deviation in June 2012, standby Jared Gertner played the role until June 26, when Cale Krise permanently took over the role, as Gertner left to play Elder Cunningham in the Starting time National Tour. Two days subsequently Gad left (June 2012), original star Rannells was replaced by his standby Nic Rouleau. The same day, Samantha Marie Ware played Nabulungi on Broadway as the beginning of a 6-calendar week appointment (James was shooting a film) in preparation for her bout operation.[twenty] Following Rouleau'southward departure in November 2012 (to originate the role of Elderberry Price in Chicago), the office of Elder Price was taken over by Matt Doyle.[21] In December 2012, Jon Bass joined as Elder Cunningham. Original bandage fellow member Rory O'Malley was replaced by Matt Loehr in Jan 2013.

In April 2013, Stanley Wayne Mathis joined the bandage as Mafala Hatimbi. In May 2013, Jon Bass left the part of Elder Cunningham, and was replaced by Cody Jamison Strand. Later Doyle and Strand's contracts finished in January 2014, Rouleau and Ben Platt (who had previously played the office of Elder Cunningham while in Chicago with Rouleau) joined the Broadway cast to reprise their roles as Elderberry Toll and Elder Cunningham. On August 26, 2014, Grey Henson took over for Loehr as Elderberry McKinley. Henson had previously played the role on the first national tour. Rouleau and Platt left Broadway in Jan 2015. They were replaced past Gavin Creel and Christopher John O'Neill who played the roles of Price and Cunningham (respectively) on the kickoff national tour. On January 3, 2016, Creel left the show after three and a half years. He was replaced by Kyle Selig, old second national bout Elder Price standby, who was scheduled to play the role through Feb 21, 2016.

On Jan 25, 2016, Christopher John O'Neill was temporarily replaced past longtime Elderberry Cunningham standby Nyk Bielak. Bielak has been a standby for Elderberry Cunningham in all 3 North American companies before becoming the Broadway Elder Cunningham. On Feb 17, 2016, Nic Rouleau announced via Twitter that he would be taking over the role of Elder Price starting on February 23, 2016. This was Rouleau'southward third fourth dimension playing the role on Broadway; he previously played the role in Chicago, the 2nd national tour, and most recently, the W End. O'Neill and Rouleau'southward first performance together was on February 23, 2016. August 21, 2016 was Greyness Henson'south terminal performance as Elder McKinley. On August 23, 2016, Henson was replaced past Stephen Ashfield who came over from the W End Product. On November 7, 2016, Nikki Rene Daniels announced she was meaning with her second kid, and would be going on maternity leave. Later that week, Kim Exum and then took over the role of Nabalungi.

On February 20, 2017, Chris O'Neill and Daniel Billow had their final performances as Elder Cunningham and Mafala Hatimbi. O'Neill was replaced past Brian Sears, who came over from the London product. Breaker was replaced by Billy Eugene Jones. On February 18, 2018, after half dozen and a one-half years with the show, original cast member Nic Rouleau played his final performance equally Elder Price. Original cast member Brian Sears likewise left the product that day. Rouleau was replaced by Dave Thomas Brown. Sears was replaced by longtime Elder Cunningham (on both Broadway and the second national tour) Cody Jamison Strand. Other Broadway cast members include original Broadway cast member Lewis Cleale equally Joseph Smith/Mission President and other roles, and Derrick Williams every bit the General.

On March 12, 2020, the testify suspended product due to the COVID-19 pandemic, and on June sixteen, 2021, the show announced information technology would exist returning to Broadway on November v.[22]

First U.S. national tour (2012–2016) [edit]

The first North American bout began previews on Baronial 14, 2012 at the Denver Center for the Performing Arts in Denver, Colorado, before moving to the Pantages Theatre in Los Angeles beginning September v, with the official opening night for the bout on September 12. Originally planned to begin in Dec 2012, production was pushed frontward four months.[23] Gavin Creel (Price) and Jared Gertner (Cunningham) led the cast[24] until late December when W End performer Mark Evans and Christopher John O'Neill took over, assuasive time for Creel and Gertner to begin rehearsals for their movement to the West Finish product. After Evans left the show on June 30, 2014, Broadway Elderberry Price stand up-by K.J. Hippensteel temporarily covered as Elder Cost. Hippensteel returned to Broadway and Ryan Bondy (who was covering for Hippensteel as the Broadway Elderberry Price stand-by) took over the role of Elderberry Price. Bondy continued on equally Elderberry Toll until Creel returned from London later in the summer of 2014. When Creel and O'Neill left the touring production to join the Broadway product, Bondy again took over the role of Elder Toll while Republic of chad Burris took over for O'Neill as Elder Cunningham. The 2 were only leads for vi weeks equally they waited for replacements to come from the West End Production. Billy Harrigan Tighe and A.J. Holmes moved over from the West Stop production to reprise their roles as Elders Price and Cunningham, respectively. Bondy and Burris so returned to the second national tour equally stand-bys for Elder Price and Elder Cunningham.

Equally part of the tour, the musical was performed in Salt Lake City for the outset time at the end of July and early Baronial 2015.[25]

The tour closed on May 1, 2016 in Honolulu, Hawaii.

Chicago (2012–2013) [edit]

The kickoff replica sit-downwards product, separate from the tour, began previews on December 11, 2012, and officially opened on Dec xix of that twelvemonth, at the Banking company of America Theatre in Chicago, Illinois as part of Broadway in Chicago. The limited engagement closed October 6, 2013 and became the second U.Due south. national bout.[26] [27] [28] The cast included Nic Rouleau in the role of Price, along with Ben Platt as Cunningham.[29]

Westward Finish (2013–) [edit]

A UK production debuted in the West End on Feb 25, 2013 at the Prince of Wales Theatre.[30] Gavin Creel and Jared Gertner reprised their North American tour performances.[31] The London cast members hosted a gala operation of the new musical on March 13, 2013, raising £200,000 for the British clemency Comic Relief's Cherry Olfactory organ Day.[32] A typical London performance runs two hours and thirty minutes,[33] including an interval of xv minutes.[34] In March 2014, The Book of Mormon was voted Funniest West End Show as part of the 2014 West Cease Frame Awards.[35] On July 28, 2014, both Creel and Gertner left the production. Creel left the W End production to return to the first national bout and was replaced past his stand up-by, Billy Harrigan Tighe. Gertner was replaced past one of his stand-bys, A. J. Holmes, who had previously played Cunningham on both the national tour and Broadway.

After Feb two, 2015, Broadway actor Nic Rouleau was cast in the role of Elder Kevin Price, replacing Billy Harrigan Tighe; Brian Sears, who as well starred on Broadway (as an ensemble member), replaced A.J. Holmes as Elderberry Cunningham.[36] Tighe and Holmes then joined the bandage of the first national bout, filling the void left when Creel and O'Neill left the tour to play the leads on Broadway. On January 25, 2016 Rouleau appear via Twitter that January 30, 2016 would be his concluding operation every bit Elder Price in the West End. On Feb 1, 2016, longtime Broadway stand up-by M.J. Hippensteel officially took over the role as Elder Cost in the West End bandage.[37] On August half-dozen, 2016 Stephen Ashfield had his last performance equally Elder McKinley, equally he was transferring over to the Broadway production. On August ix, 2016 Steven Webb took over for Ashfield as Elderberry McKinley. On January 14, 2017 Brian Sears performed his last performance in the Due west End. Sears left London to join the Broadway company on February 20. Sears was replaced by longtime 2nd national tour Elder Cunningham, Cody Jamison Strand. Strand's first performance was on Jan 30, 2017 every bit he left the W End Visitor to rejoin the Broadway production. J.Michael Finley and Dom Simpson succeeded Strand and Hippensteel the post-obit year, having both been standbys for their roles in the Broadway company, previously.

Tom Xander took over the role of Elderberry Cunningham in 2019 making Simpson and Xander the beginning British pair to atomic number 82 the show worldwide.

The show suspended production in March 2020 due to the COVID-19 pandemic in the United kingdom. It reopened on 15 November 2021 at the Prince of Wales Theatre, following a operation at West End Alive in Trafalgar Square on xviii September 2021.[38]

Second U.S. national tour (2013–2020) [edit]

Subsequently the Chicago production closed on October 6, 2013, the same production began touring the U.S. Platt never went on tour with the production and Rouleau performed in but a few cities on the tour earlier they both moved to New York and started rehearsals in training for joining the Broadway production. David Larsen succeeded Nic Rouleau every bit Elder Toll, A.J. Holmes succeeded Ben Platt every bit Elderberry Cunningham, and Cody Jamison Strand and so succeeded A.J. Holmes in the function.[39] December 14, 2014 was Pierce Cassedy's last operation as Elderberry McKinley. He was replaced by former Broadway swing Daxton Bloomquist. On January three, 2016, Larsen completed his final show as Elderberry Price. Larsen was replaced by his stand-past, Ryan Bondy. Gabe Gibbs replaced Bondy equally Elder Price in October 2016. Oge Agulué replaced David Aron Damane every bit the General in December 2016. On January i, 2017 Cody Jamison Strand had his concluding performance every bit Elder Cunningham. Strand left the show to join the West End production. Strand was replaced by Conner Pierson on Jan iii, 2017. On Oct 24, 2017 long-time ensemble member Kevin Clay causeless the role of Elder Price. Clay had been with the bout since November 2015, and worked his way upwards from ensemble, to Elderberry Price understudy, to Elderberry Price stand-by, before finally assuming the office.[twoscore] Bondy left the touring cast to accept over the function of Elderberry Price in the Melbourne production. Other cast members include Kayla Pecchioni as Nabulungi, PJ Adzima as Elder McKinley, and Sterling Jarvis every bit Mafala Hatimbi. January 28, 2018 was PJ Adzima's last performance as Elder McKinley. He was replaced past Andy Huntington Jones.

The tour played its final performance on March 11, 2020 in Los Angeles, closing earlier than planned due to the COVID-19 pandemic.[41]

Australia (2017–2020) [edit]

The original Australian product of Book of Mormon opened at Melbourne's Princess Theatre on Jan 18, 2017, where information technology broke box-office records before information technology had even opened, and despite some controversy, won several Helpmann awards.[42] [43] The cast starred Ryan Bondy and A.J. Holmes every bit Elder Price and Elder Cunningham, Rowan Witt equally Elder McKinley, Zahra Newman as Nabulungi, and Bert Labonté as Mafala.[44] [45] This same cast so opened the Sydney season at the Sydney Lyric theatre[46] on Feb 28, 2018,[47] before the show toured to Brisbane, Adelaide, and Perth in 2019.[48] The Show was scheduled to open up in Auckland, New Zealand at The Civic from 6 March to 26 April 2020. However, due to the touch on of COVID-19, all performances from 17 March 2020 were cancelled.[49]

UK and Republic of ireland bout [edit]

The United kingdom and Republic of ireland bout opened at the Palace Theatre, Manchester on 6 June 2019 until 24 August 2019, before touring to the Sunderland Empire Theatre (28 Baronial to 14 September 2019), Bristol Hippodrome (15 January to 22 February 2020), and Birmingham Hippodrome (4 to 15 March 2020).[a] The tour was due to go along throughout 2020 but was postponed due to the Touch of the COVID-19 Pandemic on the performing arts.

The tour recommenced in Oct 2021 reopening at the Donald Gordon Theatre, Cardiff (12 to 31 October 2021), Bord Gáis Energy Theatre, Dublin (3 Nov to 4 December 2021), a return to Manchester Palace Theatre (viii December 2021 to one January 2022), Glasgow Kings Theatre (6 to 22 January 2022), Norwich Theatre Royal (25 January to 5 February 2022), Mayflower Theatre, Southampton, (16 February to v March 2022), Grand Theatre, Leeds (28 April to vii May 2022), His Majesty's Theatre, Aberdeen (17 May to 4 June 2022), Theatre Royal, Newcastle (22 June to 9 July 2022), Liverpool Empire Theatre (19 July to xiii August 2022), Theatre Royal, Nottingham (17 August to x September 2022) and the Edinburgh Playhouse (13 September to 8 October 2022).[50] [51] [52]

International productions [edit]

The offset non-English version of the musical opened at the Chinateatern in Stockholm, Sweden, in January 2017.[53] A Norwegian production opened at Det Norske Teatret in Oslo, Norway September 2017[54] to favorable reviews with need crashing the ticketing website.[55] The musical opened in Kingdom of denmark at Copenhagen'south Det Ny Teater in Jan 2018,[56] every bit well equally in Amsterdam, Netherlands on September 26, 2019. The Prove opened in Cologne, Frg on November 7, 2019 and played in Zurich, Switzerland in December 2019.[57] In Aarhus, Kingdom of denmark the original Broadway product in English began on Nov 20, 2019 and ran until December six.[58]

Synopsis [edit]

Act I [edit]

At an LDS Church Missionary Training Center, devout missionary-to-be Elder Kevin Price leads his classmates in a demonstration of the door-to-door method to convert people to The Church of Jesus Christ of Latter-Day Saints ("Hello!"). Cost believes if he prays plenty, he will exist sent to Orlando, Florida for his ii-year mission. However, he and Elderberry Arnold Cunningham, an insecure, compulsive liar, observe out that they volition instead be sent to Uganda as a pair ("Ii by Two"). Price is sure he is destined to do something incredible, while Cunningham is just happy to follow ("You lot and Me (But Generally Me)").

Upon inflow in northern Uganda, the 2 are robbed by soldiers of a local warlord, General Butt Fucking Naked. They are welcomed to the village by Mafala Hatimbi, where a group of villagers share their daily reality of living in appalling conditions while being ruled past the Full general. To make their lives seem better, the villagers repeat a phrase that translates equally "Fuck yous, God!"[59] ("Hasa Diga Eebowai").

Price and Cunningham are led to their living quarters past Nabulungi, Hatimbi's daughter. They meet their fellow missionaries stationed in the surface area, who have been unable to catechumen anyone to the Church building. Elder McKinley, the district leader, teaches Price and Cunningham thought suppression ("Turn It Off"). Past the time they become to bed that night, Cost is riddled with anxiety, merely Cunningham reassures him that he will succeed and that, as his companion, Cunningham will be by his side no thing what ("I Am Here for You").

Price is confident he can succeed where the other elders take failed, teaching the villagers about Joseph Smith through a song that begins equally a tribute to Smith but eventually descends into a tribute past Price to himself ("All-American Prophet"). The General arrives and announces his demand for the genital mutilation of all female villagers. Afterward a villager protests, the General murders him. Taking every last measure to protect her, Hatimbi commands Nabulungi to stay in their house with all the doors locked and windows closed. She protests, insisting that the women of the village won't have to stay in hiding if they mind to the missionaries, every bit they hold the secrets to liberation, protection, and eternal happiness. Though her protests to go out and talk to them fail, she calms down afterwards remembering how she was moved by Price's promise of an earthly paradise and dreams of going to live in that new land with all of her fellow villagers ("Sal Tlay Ka Siti").

The mission president has requested a progress written report on their mission. Shocked past the execution and the reality of Africa, Price decides to abandon his mission and requests a transfer to Orlando. At the aforementioned time, Cunningham, ever loyal, assures Toll he will follow him anywhere ("I Am Hither for You lot [Reprise]"). However, Price unceremoniously dumps him as mission companion. Cunningham is crushed and lone, but when Nabulungi comes to him, wanting to larn more than about the Volume of Mormon and having convinced the villagers to heed to him, Cunningham finds the backbone to take control of the situation ("Human Upward").

Human activity Two [edit]

When the villagers begin to get frustrated at Cunningham's teaching of the Book of Mormon and leave, Cunningham apace makes up stories by combining what he knows of LDS doctrine with pieces of scientific discipline fiction and fantasy. Cunningham's conscience (personified past his begetter, Joseph Smith, Hobbits, Lt. Uhura, Darth Vader, and Yoda) admonishes him, merely he rationalizes that if it helps people, it surely cannot be wrong ("Making Things Up Again"). Price joyfully arrives in Orlando only and so realizes that he is dreaming when his father questions him on if he left his mission companion. He is reminded of the nightmares of hell he had equally a kid and panics when his nightmare begins again ("Spooky Mormon Hell Dream"). During this dream he sees Jesus, Satan, Genghis Khan, Jeffrey Dahmer, Adolf Hitler, and Johnnie Cochran. Toll awakens and decides to re-commit to his mission.

Cunningham announces several Ugandans are interested in the church. McKinley points out that unless the General is dealt with, no one volition catechumen. Price, seeing the hazard to prove his worth, sets off on the "mission he was born to do." After re-affirming his religion, he confronts the General, adamant to convert him ("I Believe"). The General is unimpressed and drags Cost away.

Cunningham concludes his preaching, and the villagers are baptized, with Nabulungi and Cunningham sharing a tender moment as they practice ("Baptize Me"). The missionaries feel oneness with the people of Republic of uganda and celebrate ("I Am Africa"). Price is seen in the village doctor's office, having the Volume of Mormon removed from his rectum. Meanwhile, the Full general hears of the villagers' conversion and resolves to kill them all.

Having lost his faith, Price drowns his sorrows in coffee. Cunningham finds Toll and tells him they need to at to the lowest degree act like mission companions, as the mission president is coming to visit the Ugandan mission. Price reflects on all the broken promises the church, his parents, his friends, and life in general made to him.

Nabulungi and the villagers perform a pageant for the mission president to "honour [them] with the story of Joseph Smith, the American Moses" ("Joseph Smith American Moses"), which reflects the distortions put along by Cunningham, such as having sex with a frog to cure their AIDS. The mission president is appalled, orders all the missionaries to become habitation, and tells Nabulungi that she and her fellow villagers are non members. Nabulungi, heartbroken at the thought that she will never reach paradise, curses God for forsaking her ("Hasa Diga Eebowai [Reprise]"). Cost has had an epiphany and realizes Cunningham was right all along: though scriptures are important, what is more important is getting the message across ("Y'all and Me (Just By and large Me) [Reprise]").

The General arrives, and Nabulungi is ready to submit to him, telling the villagers that Cunningham'due south stories are untrue. She also explains that they will never see him again but protects his reputation in their eyes by proverb a panthera leo ate him. To Nabulungi'due south shock, they respond that they have always known that the stories were metaphors rather than the literal truth. Price and Cunningham go far but in time to use Cunningham's lies of the latter existence resurrected after being eaten past lions to scare the General and his men away. Price rallies the members of the Church building and the Ugandans to work together to make this their paradise. Later, the newly minted Ugandan elders (including the Full general) go door to door to evangelize with "The Book of Arnold" ("Tomorrow Is a Latter Mean solar day"/"Hullo! [Reprise]"/"Encore").

Music [edit]

Musical numbers [edit]

† This song is not on the cast anthology.

†† These three songs are appended to 1 another and announced as one runway.

Instrumentation [edit]

The Book of Mormon uses a nine-fellow member orchestra:[60] [61]

  • Woodwinds (Flute, Piccolo, Alto, Tenor Saxophones, Clarinet, Oboe, Bansuri, Soprano and Alto Recorders)
  • Trumpet (doubling Piccolo Trumpet and Flugelhorn)
  • Trombone (doubling Bass Trombone)
  • Drums/Percussion/Electronic percussion
  • Keyboard I
  • Keyboard Ii
  • Violin/Viola
  • Guitars (Electric, Acoustic, Classical and Archtop)
  • Basses (Electric, Fretless and Upright)

Original Broadway cast recording [edit]

A cast recording of the original Broadway production was released on May 17, 2011, by Ghostlight Records. All of the songs featured on phase are present on the recording with the exception of "I Am Here For Y'all" (Reprise), "Orlando", "Hasa Diga Eebowai" (Reprise) and "You and Me (But Mostly Me)" (Reprise). "Hello" (Reprise) and the "Encore" are attached to the end of the last track of the CD, titled, "Tomorrow Is a Latter 24-hour interval". A free preview of the entire recording was released on NPR starting on May 9, 2011.[62] [63] [64] Excerpts from the cast recording are featured in an extended Fresh Air interview.[2]

During its first week of its iTunes Store release, the recording became "the fastest-selling Broadway cast album in iTunes history," according to representatives for the production, ranking No. 2 on its mean solar day of release on the iTunes Meridian 10 Chart. According to Playbill, "It'due south a rare occurrence for a Broadway bandage album to identify among the iTunes best sellers."[65] The record has received positive reviews, with Rolling Rock calling the recording an "outstanding album that highlights the wit of the lyrics and the incredible tunefulness of the songs while leaving you lot drastic to score tickets to see the actual bear witness."[66] Although the bandage album had a respectable debut on the US Billboard 200 chart in its initial calendar week of release, afterwards the testify'south success at the 2011 Tony Awards, the record rapidly ascended the chart to number three, making it the highest-charting Broadway cast anthology in over four decades.[67] [68]

A vinyl version was released on May xix, 2017.[69]

Characters and cast members [edit]

The primary cast members of all major productions of The Volume of Mormon.

Original casts [edit]

Sources:[70]

Characters Original Broadway Cast
(2011) 		Original West Finish Cast
(2013) 		First National Bout
(2012) 		2nd National Tour
(2012) 		Original Australian Cast
(2017) 		Original Stockholm Cast
(2017) 		Original Oslo Cast
(2017) 		Original UK & International Bout Bandage
(2019)
Elder Toll Andrew Rannells Gavin Creel Nic Rouleau Ryan Bondy Linus Wahlgren Frank Kjosås Kevin Clay/ Robert Colvin (From Bristol Hippodrome)
Elder Cunningham Josh Gad Jared Gertner Ben Platt A. J. Holmes Per Andersson Kristoffer Olsen Conner Peirson
Nabulungi Nikki Yard. James Alexia Khadime Samantha Marie Ware Syesha Mercado Zahra Newman Samantha Gurah Anette Amelia Hoff Larsen Nicole-Lily Baisden
Elder McKinley Rory O'Malley Stephen Ashfield Grey Henson Pierce Cassedy Rowan Witt Anton Lundqvist Preben Hodneland Will Hawksworth
Mafala Hatimbi Michael Potts Giles Terera Kevin Mambo James Vincent Meredith Bert LaBonté Peter Gardiner Marvin Amoroso Ewen Cummins
Joseph Smith, Jesus, Price's Dad, Mission President Lewis Cleale Haydn Oakley Mike McGowan Christopher Shyer Andrew Broadbent Lars Göran Persson Niklas Gundersen Johnathan Tweedie
General Brian Tyree Henry Chris Jarman Derrick Williams David Aron Damane Augustin Aziz Tchantcho Camilo Ge Bresky Markus Bailey Thomas Vernal

Themes and references [edit]

The Book of Mormon contains many religious themes, most notably those of organized religion and doubt.[71] Although the musical satirizes religion and the literal credibility of The Church building of Jesus Christ of Latter-day Saints, the Mormons in The Book of Mormon are portrayed likewise-significant and optimistic, if a little naïve and unworldly. In addition, the central theme that many religious stories are rigid, out of bear on, and silly comes to the decision that, essentially, religion itself tin exercise enormous skilful as long as it is taken metaphorically and not literally.[1] Matt Stone, one of the bear witness'south creators, described The Volume of Mormon equally "an atheist's love letter to faith."[72]

The opening scenes of Act I and 2 parody the Hill Cumorah Pageant.[73]

Reception [edit]

The Volume of Mormon received broad critical praise for the plot, score, actors' performances, direction and choreography.[74] Vogue Mag chosen the show "the filthiest, most offensive, and—surprise—sweetest thing you lot'll see on Broadway this year, and quite possibly the funniest musical always."[75] New York Post reported that audience members were "sore from laughing so hard". It praised the score, calling it "tuneful and very funny," and added that "the show has heart. It makes fun of organized religion, merely the 2 Mormons are real people, not caricatures."[76]

Ben Brantley of The New York Times compared the show favorably to Rodgers and Hammerstein'southward The King and I and The Sound of Music simply "rather than dealing with tyrannical, charismatic men with way likewise many children, our heroes... must confront a one-eyed, genocidal warlord with an unprintable proper noun... That's enough to examination the organized religion of even the nigh optimistic gospel spreaders (not to mention songwriters). Yet in setting these nighttime elements to sunny melodies The Book of Mormon achieves something like a phenomenon. It both makes fun of and ardently embraces the all-American fine art form of the inspirational book musical. No Broadway bear witness has so successfully had information technology both means since Mel Brooks adjusted his picture The Producers for the stage a decade ago."[77] Jon Stewart, host of The Daily Bear witness, spent much of his interview with Parker and Stone on the March 10, 2011 episode praising the musical.[78]

Charles McNulty of the Los Angeles Times praised the music, and stated: "The songs, frequently inspired lampoons of contemporary Broadway styles, are as catchy as they are clever." McNulty ended by stating "Sure it's crass, but the show is non without good intentions and, in any case, vindicates itself with musical panache."[79] Peter Marks of the Washington Post wrote: "The marvel of The Volume of Mormon is that even as information technology profanes some serious articles of faith, its spirit is anything but mean. The ardently devout and comedically challenged are sure to disagree. Anyone else should excitedly approach the altar of Parker, Stone and Lopez and look to drink from a loving cup of some of the sweetest toxicant ever poured." Marks farther describes the musical as "ane of the virtually joyously acidic bundles Broadway has unwrapped in years."[80]

Even so, The Wall Street Journal'southward Terry Teachout called the show "slick and smutty: The Book of Mormon is the first musical to open on Broadway since La Muzzle aux Folles that has the smell of a ship-in-the-tourists hit. ... The amateurish part relates mostly to the score, which is jointly credited to the three co-creators and is no better than what y'all might hear at a inferior-varsity college show. The tunes are jingly-jangly, the lyrics embarrassingly ill-crafted."[81] Other critics take chosen the prove "crassly commercial"[82] besides as "ho-hum" and "derivative".[83]

Accusations of racism and script revisions [edit]

The show's depiction of Africans has been called racist.[84] NPR'due south Janice Simpson notes that "the show doesn't work unless the villagers are seen mainly as noble savages who need white people to show them the way to enlightenment." She further criticized the depiction of African doctors as well every bit the references to AIDS and female genital mutilation.[85] Max Perry Mueller of Harvard writes that "The Book of Mormon producers worked so difficult to get the 'Mormon thing' right, while completely ignoring the Ugandan culture".[86] The Aid Leap blog noted that "the gleeful depiction of traditional stereotypes about Africa (dead babies, warlord, HIV, etc.) reinforced rather than challenged full general preconceptions", and "the Africans are just a background to the emotional development of the Mormons".[87]

In a retrospective interview published by Deseret News, Herb Scribner interviewed Cheryl Hystad, a retired attorney who had written an op-ed criticizing the musical in The Baltimore Lord's day,[88] stated that "near reviewers have not mentioned the breathy racism in the show, points to a subtler consequence, a pervasive anti-Africa bias to which white Americans have been inculcated and so thoroughly that few seem to have concerns most the show'southward portrayal of Africans."[89] Gad, speaking on PeopleTV's Couch Surfing with Lola Ogunnaike, in response to a potential motion-picture show-adaption of the play, had stated that "I don't know that that testify could open today and have the same open-armed response that information technology did then. Information technology'southward not to say that it'due south whatsoever less significant or wonderful or incredible a musical; I just call back information technology'south the nature of art to adapt".[90]

In July 2020, four months after the evidence had closed due to the COVID-19 pandemic, and ii months after the murder of George Floyd in Minneapolis, blackness actors from the original and electric current casts signed a letter of the alphabet to the creative team warning that "when the show returns, all of our work will be viewed through a new lens." In response, the squad collaborated with the New York bandage at a ii-week workshop in the summertime of 2021, reviewing the intent, comic elements, and staging of each scene. The revised script aimed to give the villagers more agency and put them, not the missionaries, at the center of the piece of work.[91]

Latter-24-hour interval Saint response [edit]

The response of The Church building of Jesus Christ of Latter-day Saints to the musical has been described every bit "measured."[92] The church released an official response to inquiries regarding the musical, stating, "The production may attempt to entertain audiences for an evening, but the Volume of Mormon as a volume of scripture will alter people'south lives forever past bringing them closer to Christ."[93] Michael Otterson, the head of Public Affairs for the church building, followed in Apr 2011 with measured criticism. "Of course, parody isn't reality, and information technology'south the very distortion that makes information technology appealing and oft funny. The danger is not when people laugh but when they have it seriously—if they leave a theater assertive that Mormons actually exercise live in some kind of a surreal globe of self-deception and illusion," Otterson wrote, outlining various humanitarian efforts achieved by Mormon missionaries in Africa since the early 2000s.[94] [95] Stone and Parker were unsurprised:[two]

The official church response was something along the lines of "The Book of Mormon the musical might entertain you for a night, only the Book of Mormon,"—the book as scripture—"will change your life through Jesus." Which we really completely concur with. The Mormon church's response to this musical is virtually like our Q.E.D. at the end of information technology. That'southward a cool, American response to a ribbing—a big musical that'southward washed in their name. Before the church responded, a lot of people would enquire us, "Are you agape of what the church building would say?" And Trey and I were like, "They're going to be cool." And they were like, "No, they're not. There are going to be protests." And we were like, "Nope, they're going to exist cool." We weren't that surprised by the church's response. Nosotros had faith in them.

The Church of Jesus Christ of Latter-twenty-four hours Saints has advertised in the playbills at many of the musical'due south venues to encourage attendees to learn more than nigh the Volume of Mormon, with phrases like "you lot've seen the play, now read the book" and "the book is always better."[96]

In Melbourne during the 2017 run, the Church building advertised at Southern Cross railway station and elsewhere in the city, likewise as on goggle box with ads featuring prominent Australian Mormons, including rugby league player Will Hopoate, stage actor Patrice Tipoki and ballet dancer Jake Mangakahia.[97]

Mormons themselves have had varying responses to the musical. Richard Bushman, professor of Mormon studies, said of the musical, "Mormons feel the show similar looking at themselves in a fun-house mirror. The reflection is hilarious only not really you. The nose is yours but swollen out of proportion."[98] Bushman said that the musical was not meant to explicate Mormon belief, and that many of the ideas in Elder Price'southward "I Believe" (similar God living on a planet called Kolob), though having some roots in Mormon belief, are not doctrinally accurate.[98] [99]

When asked in January 2015 if he had met Mormons who disliked the musical, Gad stated "In the 1.5 years I did that show, I never got a single complaint from a practicing Mormon ... To the contrary, I probably had a few people – a dozen – tell me they were and so moved by the show that they took up the Mormon faith."[100]

Awards and honors [edit]

Broadway production [edit]

Twelvemonth Award Category Nominee Event Ref
2011 Tony Honour Best Musical Won [101]
Best Volume of a Musical Robert Lopez, Trey Parker and Matt Stone Won
Best Original Score Won
Best Role player in a Musical Andrew Rannells Nominated
Josh Gad Nominated
All-time Featured Actor in a Musical Rory O'Malley Nominated
Best Featured Actress in a Musical Nikki Chiliad. James Won
All-time Direction of a Musical Casey Nicholaw and Trey Parker Won
All-time Choreography Casey Nicholaw Nominated
Best Orchestrations Larry Hochman and Stephen Oremus Won
Best Scenic Design Scott Pask Won
Best Costume Design Ann Roth Nominated
Best Lighting Design Brian MacDevitt Won
All-time Sound Design Brian Ronan Won
Drama Desk Laurels Outstanding Musical Won [102]
Outstanding Lyrics Robert Lopez, Trey Parker, and Matt Rock Won
Outstanding Music Won
Outstanding Book of a Musical Nominated
Outstanding Actor in a Musical Andrew Rannells Nominated
Outstanding Featured Actor in a Musical Rory O'Malley Nominated
Outstanding Featured Actress in a Musical Nikki M. James Nominated
Outstanding Choreography Casey Nicholaw Nominated
Outstanding Director of a Musical Casey Nicholaw and Trey Parker Won
Outstanding Costume Pattern Ann Roth Nominated
Outstanding Sound Pattern of a Musical Brian Ronan Nominated
Outstanding Orchestrations Larry Hochman and Stephen Oremus Won
Outer Critics Circumvolve Honour Outstanding New Broadway Musical Won [103]
Outstanding New Score Trey Parker, Robert Lopez and Matt Stone Won
Outstanding Director of a Musical Casey Nicholaw and Trey Parker Won
Outstanding Choreographer Casey Nicholaw Nominated
Outstanding Actor in a Musical Josh Gad Won
Outstanding Actress in a Musical Nikki M. James Nominated
2012 Grammy Award Best Musical Theater Album Andrew Rannells & Josh Gad (principal soloists); Robert Lopez, Trey Parker, and Matt Stone (composers/lyricists); Anne Garefino, Robert Lopez, Trey Parker, Stephen Oremus, Scott Rudin, & Matt Stone (producers); Frank Filipetti (engineer/mixer) Won [104] [105]

London production [edit]

Year Honor Category Nominee Upshot Ref
2014 Laurence Olivier Award Best New Musical Won [106]
Best Role player in a Musical Gavin Creel Won
Jared Gertner Nominated
Best Performance in a Supporting Role in a Musical Stephen Ashfield Won
Best Theatre Choreographer Casey Nicholaw Won
Outstanding Achievement in Music Robert Lopez, Trey Parker, & Matt Rock Nominated

Melbourne production [edit]

Year Honor Category Nominee Outcome
2017 Helpmann Awards Best Musical[107] Won
All-time Choreography of a Musical[107] Casey Nicholaw Nominated
Best Direction of a Musical[107] Casey Nicholaw & Trey Parker Won
Best Female Player in a Musical[107] Zahra Newman Nominated
Best Male person Actor in a Musical[107] AJ Holmes Nominated
Best Male Histrion in a Supporting Function in a Musical[107] Bert LaBonte Nominated
Rowan Witt Nominated
Best Original Score Trey Parker, Matt Stone & Robert Lopez Nominated

See also [edit]

  • The Church of Jesus Christ of Latter-day Saints in Republic of uganda
  • Latter Twenty-four hours Saints in popular culture
  • "Broadway Bro Downwardly"

Notes [edit]

  1. ^ Whilst originally scheduled to run until 28 March 2020 at Birmingham, and commence on 7 April at Leeds, performances were cancelled from 16 March due to the COVID-nineteen pandemic in the United Kingdom; several productions were therefore rescheduled

References [edit]

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Further reading [edit]

  • The Book of Mormon: the Attestation of a Broadway Musical Book, Music, and Lyrics by Trey Parker, Robert Lopez, & Matt Rock. Text, New Interviews, and Annotations past Steven Suskin. Principal photography past Joan Marcus. Pattern by BLT Communications. NY: HarperCollins, ISBN 9780062234940.
  • The Book of Mormon: The Complete Book and Lyrics of the Broadway Musical . Newmarket Press, 2011 ISBN 9781557049933.

External links [edit]

  • Official website (Except Broadway and West Finish)
  • Official Broadway website
  • Official West End website
  • ​The Volume of Mormon​ at the Internet Broadway Database
  • The Book of Mormon at Playbill Vault
  • "The Book of Mormon Musical Tour Update"
  • "Trey Parker & Matt Stone Talk Book Of Mormon on The Daily Testify", Huffington Post, March 11, 2011
  • Charlie Rose – "Trey Parker & Matt Stone"
  • Cast Recording for The Book of Mormon from NPR's First Listen

vanbuskirkfingthily.blogspot.com

Source: https://en.wikipedia.org/wiki/The_Book_of_Mormon_(musical)

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